Name: Wande Coal ft. Olamide – Kpe Paso
Description: Wande Coal ft. Olamide – Kpe Paso

Wande Coal ft. Olamide – Kpe Paso

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<h1>Wande Coal Olamide Kpe Paso</h1>
Nigerian singer, Wande Coal and YBNL Nation’s <a href="/music/music-wande-coal-ft-olamide-kpe-paso">Olamide</a> serve up their highly anticipated single “Kpe Paso.”

“Kpe Paso” has an Olamide hook with the memorable line, “Omo na things weh go kill me, me I want de do,” as well as Wande Coal verses. It comes after their recent collaboration, “Hate Me.”

Wande Coal and Olamide bring back a potential record that showcases their expertise in the mainstream, as they delivered a legendary song together.

The Kel P-produced song, “Kpe Paso,” was recorded sometime last year when they linked up in the studio and did a few songs together.

The song is off Wande Coal’s soon to be released studio album tagged “Legend or No Legend”

Je'omo

It's Kel P Vibes (Vibes)
(Wooh-ooh)

Moti kpe paso
Jen na'wo yen k'oto ku wazo
Is it me or the Henny or maybe na the Azul
That booty look like a place they told me not to go
They told me not to go
They told me not to go
Omo, na things wey go kill me, me, I wan dey do
Now, put it down l'ori table k'owo b'oshe toh
Now, put it down l'ori table k'owo b'oshe toh
Omo, sh'ori b'oshe toh

Moti kpe paso
Jen na'wo yen k'oto ku wazo
Is it me or the Henny or maybe na the Azul
That booty look like a place they told me not to go
They told me not to go
They told me not to go
Omo, na things wey go kill me, me, I wan dey do
Now, put it down l'ori table kinwo b'oshe toh
Now, put it down l'ori table kinwo b'oshe toh
Omo, sh'ori b'oshe toh

K'oma bami soh oh
Shebi moti soh pe "k'oma bami shee oh"
Omo Paso ni mi gan, orobokibo oh
Wonti fe lo mu Pepsi mi, orobokibo oh (wonti fe lo mu Pepsi mi, orobokibo oh)
Mio gba oh
Won ni "mon bo oh"
Mo saare fo fence, k'oto yo'ju oh
Mo de fe ko te eti e, ko gbo oh (gbogbo rede, rede)
B'eshe tasi mi, mo gbo oh-ah

Sh'egbo oh-ayy, ani sh'egbo oh-ah
Anybody wey go try me, ko gbo oh-ah
Ara kan mi b'oshen wo mi, b'ode oh-ah
T'oba de'bi, kan ma gba e l'oju, b'oshe oh-ah
Shey ni ti tori na

Ani won beh (won beh, won beh)
Mada won l'ohun, won beh (mada won l'ohun, won beh)
T'oba ri mi oh, mon sha'na, mon dan
T'oba tun mu wa l'ori street, won a bami ni ibe
Hmm-mm, mm

Moti kpe paso
Jen na'wo yen k'oto ku wazo
Is it me or the Henny or maybe na the Azul
That booty look like a place they told me not to go
They told me not to go
They told me not to go
Omo, na things wey go kill me, me, I wan dey do
Now, put it down l'ori table k'owo b'oshe toh
Now, put it down l'ori table k'owo b'oshe toh
Omo, sh'ori b'oshe toh (wooh-ooh)

Omo, na the things me I want to do
Na Shima wey go kill me I want to do (kill me)
Na the yansh wey go wound me I want to do (wound me I want to do)
I'm sippin' on 1942 (19-forty-two, whoa)
And, they ain't got nothin' on me, ayy-ayy
Stop playin' Wande, o wa bi sh'ere
Emi oba orin, t'oba ri mi, ayy-ayy
They can't f- with me
Shey ni ti tori na

Ani won beh (won beh, won beh)
Mada won l'ohun, won beh (mada won l'ohun, won beh)
T'oba ri mi oh, mon sha'na, mon dan
T'oba tun mu wa l'ori street, won a bami ni ibe

Moti kpe paso
Jen na'wo yen k'oto ku wazo
Is it me or the Henny or maybe na the Azul
That booty look like a place they told me not to go
They told me not to go
They told me not to go
Omo, na things wey go kill me, me, I wan dey do
Now, put it down l'ori table k'owo b'oshe toh
Now, put it down l'ori table k'owo b'oshe toh
Omo, sh'ori b'oshe toh

Moti kpe paso
Jen na'wo yen k'oto ku wazo
Is it me or the Henny or maybe na the Azul
That booty look like a place they told me not to go
They told me not to go
They told me not to go
Omo, na things wey go kill me, me, I wan dey do
Now, put it down l'ori table kinwo b'oshe toh
Now, put it down l'ori table kinwo b'oshe toh
Omo, sh'ori b'oshe toh

Is it me or the Henny or maybe na the Azul

That booty look like a place they told me not to go

Omo, na things wey go kill me, me, I wan dey do

Now, put it down l'ori table k'owo b'oshe toh

Now, put it down l'ori table kinwo b'oshe toh

Wonti fe lo mu Pepsi mi, orobokibo oh (wonti fe lo mu Pepsi mi, orobokibo oh)

Mo de fe ko te eti e, ko gbo oh (gbogbo rede, rede)

T'oba de'bi, kan ma gba e l'oju, b'oshe oh-ah

Mada won l'ohun, won beh (mada won l'ohun, won beh)

T'oba tun mu wa l'ori street, won a bami ni ibe

Na Shima wey go kill me I want to do (kill me)

Na the yansh wey go wound me I want to do (wound me I want to do)

And, they ain't got nothin' on me, ayy-ayy


Nigerian singer, Wande Coal and YBNL Nation’s  serve up their highly anticipated single “Kpe Paso.”

“Kpe Paso” has an Olamide hook with the memorable line, “Omo na things weh go kill me, me I want de do,” as well as Wande Coal verses. It comes after their recent collaboration, “Hate Me.”

Wande Coal and Olamide bring back a potential record that showcases their expertise in the mainstream, as they delivered a legendary song together.

The Kel P-produced song, “Kpe Paso,” was recorded sometime last year when they linked up in the studio and did a few songs together.

The song is off Wande Coal’s soon to be released studio album tagged “Legend or No Legend”

 Sunita

Sunita by Rybeena Ft. Tml Vibez – Listen &amp; Download

Rybeena teams up with Tml Vibez for a fresh and captivating new song titled “Sunita.” The collaboration brings together two distinctive voices, creating a record that blends catchy melodies, smooth delivery and the infectious energy that keeps listeners coming back for more.

“Sunita” by Rybeena Ft. Tml Vibez is the kind of song that easily finds its way into your playlist. From the moment the beat comes in, the track carries a relaxed but engaging vibe, while both artists bring their own style to the record and make the collaboration feel natural.

Rybeena continues to show his musical versatility on the song, delivering his part with confidence and a sound that connects with the rhythm of the production. Tml Vibez also adds his signature touch, giving “Sunita” an extra layer of character and making the collaboration even more enjoyable.

The chemistry between Rybeena and Tml Vibez is one of the highlights of the track. Rather than feeling like a forced collaboration, both artists complement each other well, resulting in a song that can easily appeal to fans of contemporary Nigerian music.

Whether you're looking for something new to add to your daily playlist, a song to enjoy during a chill moment, or simply want to keep up with the latest Nigerian music releases, “Sunita” by Rybeena Ft. Tml Vibez is worth checking out.

Listen to Rybeena Ft. Tml Vibez – Sunita below and enjoy the latest sound from the Nigerian music scene.

Song Title: SunitaArtist: Rybeena Ft. Tml VibezGenre: Afrobeats / Nigerian Music

<h2>Seyi Vibez Returns With New Street Anthem "GTA"</h2>Nigerian street-pop sensation Seyi Vibez is back with another highly anticipated release titled "GTA." The new single continues the singer's remarkable run of delivering emotionally rich melodies, infectious rhythms, and relatable lyrics that have earned him a loyal fanbase across Nigeria and beyond.Following the buzz surrounding the rollout of his upcoming project, "GTA" arrives with an energetic sound that blends Afrobeats, street-hop, and Seyi Vibez's signature vocal style. The title and promotional campaign draw inspiration from the iconic Grand Theft Auto (GTA) aesthetic, building excitement among fans ahead of the official release.As expected, Seyi Vibez showcases his unique storytelling ability, delivering captivating verses over a smooth, well-produced instrumental. The song reflects themes of ambition, hustle, confidence, and perseverance—qualities that have become synonymous with his music.With its catchy hook, impressive production, and replay value, "GTA" is another strong addition to Seyi Vibez's growing catalog and is expected to make waves across streaming platforms, clubs, and playlists.<h2>Stream & Download Seyi Vibez – GTA</h2>Artist: Seyi Vibez Title: GTA Genre: Afrobeats / Street Pop Format: MP3 Year: 2026Listen, download, and don't forget to share your thoughts on "GTA" in the comments below. Is this another hit from Seyi Vibez? Let us know your favorite part of the song.Stay connected with Naijailoaded for the latest Nigerian music, albums, EPs, videos, entertainment news, and exclusive updates

Na Afa Nna (Freestyle)

Phyno – Na Afa Nna (Freestyle) Mp3 Download

Nigerian indigenous rap heavyweight Phyno returns with another impressive performance titled "Na Afa Nna (Freestyle)", delivering the lyrical excellence, confidence, and cultural authenticity that have made him one of Africa's most respected rappers.

On "Na Afa Nna (Freestyle)," Phyno showcases his trademark blend of Igbo and English, effortlessly flowing over a captivating instrumental with clever punchlines, street wisdom, and heartfelt reflections. As expected from the Penthauze boss, the freestyle highlights his lyrical ability while staying true to his unique sound and identity as one of the leading voices in indigenous hip-hop. Phyno is widely recognised for his distinctive fusion of rap, highlife, and Afrobeats, often delivering verses in both Igbo and English.

Whether you're a long-time fan of Phyno or simply appreciate quality rap music, "Na Afa Nna (Freestyle)" is a track that deserves a place on your playlist. The song combines smooth delivery, authentic storytelling, and infectious energy, making it another standout addition to his growing catalogue.

If you're searching for the latest Nigerian music, this freestyle is definitely worth checking out.

Listen and Download "Na Afa Nna (Freestyle)" by Phyno Below:

Artist: PhynoTitle: Na Afa Nna (Freestyle)Genre: Hip-Hop / Indigenous RapCountry: Nigeria

Eja Meja

Nigerian Afrobeats sensation&nbsp;BNXN&nbsp;joins forces with chart-topping hitmaker&nbsp;Asake&nbsp;on the captivating new single&nbsp;“Eja Meja.”&nbsp;Blending Afrobeats, Afro-fusion, Amapiano influences, and soulful melodies, the collaboration delivers a vibrant record packed with infectious rhythms, smooth vocals, and irresistible energy.

“Eja Meja”&nbsp;explores themes of ambition, success, gratitude, and enjoying the rewards of hard work. Through catchy lyrics and memorable performances, BNXN and Asake reflect on their journeys while embracing the confidence and positivity that come with achieving their dreams.

The production features groovy percussion, rich basslines, melodic piano chords, vibrant synths, and polished instrumentation that create a lively and addictive soundscape. The seamless fusion of Afrobeat and contemporary African influences provides the perfect backdrop for both artists to showcase their signature styles.

BNXN delivers a soulful vocal performance filled with emotion, melody, and authenticity, while&nbsp;Asake&nbsp;complements the record with his unmistakable energy, unique vocal delivery, and infectious charisma. Their chemistry creates a dynamic collaboration that keeps listeners engaged from the very first note.

Lyrically,&nbsp;“Eja Meja”&nbsp;highlights themes of resilience, celebration, self-belief, and staying focused despite life’s challenges. The memorable chorus and feel-good vibe make the song an ideal addition to playlists for parties, road trips, and everyday enjoyment.

With&nbsp;“Eja Meja,”&nbsp;BNXN and Asake once again demonstrate why they remain among the leading voices in the global Afrobeats movement. The collaboration combines exceptional production, meaningful songwriting, and world-class performances into a record that is sure to resonate with fans across Africa and beyond.

<p class="p1" style="margin: 0px; font-width: normal; font-size: 17px; line-height: normal; font-size-adjust: none; font-kerning: auto; font-variant-alternates: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; font-feature-settings: normal; font-optical-sizing: auto; font-variation-settings: normal; white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.3); -webkit-text-size-adjust: auto;">Jung Ji An is the new CEO of the shopping mall Murthehelp. She teams up with her uncle, Jung Jin Man, who has returned, and launches a counterattack against Babylon.

A shop for killers season 02 Korean drama

Come Slide

KFMD Recruits Qing Madi, BNXN, and Victony for "Come Slide"

When you assemble a lineup this stacked, expectations are bound to skyrocket. KFMD has done the unthinkable by bringing together three of the most distinctive voices in contemporary Afro-fusion: the soulful powerhouse Qing Madi, the undisputed hook king BNXN (fka Buju), and the boundary-pushing, melodic genius Victony for the ultimate mid-tempo jam, "Come Slide."

"Come Slide" doesn’t just rely on the star power of its features; it expertly weaves their unique styles together to create a seamless sonic journey. Each artist brings their specific flavor to the table, ensuring the track feels like a true collaboration rather than a patched-together mega-mix.

"KFMD plays the ultimate sonic architect here, engineering a lush, percussive canvas that allows three generational talents to effortlessly bounce off one another."

What sets "Come Slide" apart from other major link-ups is its restraint. Instead of overcrowding the beat, the production leaves plenty of breathing room for the vocal arrangements. The baseline is deep and hypnotic, the percussion is crisp, and the overall mood is perfectly tailored for late-night drives, chill lounges, or weekend playlists.

"Come Slide" is an instant standout. It highlights the incredible depth of talent coming out of the Afro-fusion space and proves that when the right artists share a vision, magic happens. KFMD has handed music fans an absolute gem that will undoubtedly be on heavy rotation for months to come.

Dance 4 Jesus

Dance 4 Jesus is a high-energy collaborative track that sits at the crossroads of Afrobeat, street rap, and dance culture. The song invites listeners to move to a pulsing tempo while navigating a playful tension between devotion and club vibes—a contrast that is becoming a recognizable flavor in contemporary Nigerian music.

Fido leads with a confident cadence, delivering rapid-fire bars over a pulsating bassline, crisp percussion, and shimmering synths. Zlatan steps in with swaggering hooks and rhythmic flair, accentuating the groove with melodic taunts and call-and-response energy. Odumodublvck adds bite and precision, punctuating verses with sharp wordplay that lands as both punchlines and social commentary. The trio's voices weave together to create a chorus that is instantly catchy and highly repeatable on the dance floor.

The production blends traditional African drums with modern electronic textures, resulting in a track that feels both rooted and future-facing. Expect a heavy, dance-ready rhythm, prominent 808 bass, tight hi-hats, and melodic flourishes that propel the hook into earworm territory. The arrangement emphasizes the chorus, encouraging crowd participation and a dynamic turn-taking between verses and refrains.

In context, the song sits within a wave of Afrobeat collaborations that foreground party energy, confident rhetoric, and cross-genre appeal. Dance 4 Jesus uses a provocative title and playful religious imagery to amplify its party anthem ethos, signaling an approach where devotion, celebration, and street-savvy storytelling coexist. The track aims for club resonance while maintaining lyrical punch that fans of Fido, Zlatan, and Odumodublvck will recognize as part of their evolving repertoires.

<ul>
 <li>Vocal dynamics: distinct flows and personalities merge, with Fido's rapid cadence, Zlatan's melodic swagger, and Odumodublvck's incisive diction.</li>
 <li>Rhythm and groove: a driving Afrobeat tempo with punchy percussion and bass that fuels dance-floor energy.</li>
 <li>Production palette: a blend of traditional drums and modern synths/808s creating a glossy yet street-ready sound.</li>
 <li>Theme and mood: juxtaposition of devotional imagery with party culture, yielding a celebratory and slightly provocative vibe.</li>
 <li>Cultural context: part of a broader Nigerian and Afro-fusion trend that values catchy hooks, danceability, and cross-artist collaborations.</li>
</ul>

Formation

Formation is a high-energy collaboration between Adekunle Gold and Olamide that blends Afrobeat with contemporary Nigerian rap, creating a confident anthem about ambition, hustle, and unity in music and life.
The track rides on a punchy groove, shimmering highlife-inflected melodies, and a driving rhythm section, with a memorable hook and crisp production that keeps the tempo lively from verse to chorus.
<ul>
 <li>Genre & vibe: Afrobeat, Afropop with rap infusion, party-ready and danceable.</li>
 <li>Vocals & delivery: Adekunle Gold's supple, melodic phrasing paired with Olamide's rapid-fire verses and witty wordplay.</li>
 <li>Lyrics & themes: Mentions craftsmanship, persistence, and empowerment; celebrates success and collaboration.</li>
 <li>Production: Rich percussion, bright synths, and a booming bassline that accentuates the chorus.</li>
 <li>Impact: Bridges genres, expands appeal beyond traditional Afrobeat fans, and invites sing-along energy in live performances.</li>
</ul>
Overall, Formation functions as a concise musical statement: a unity of styles that showcases both artists’ strengths and their shared sense of momentum in Nigerian and African popular music.

Dem No Really Send Us

Dem No Really Send Us is a high-energy Afro-fusion track by Nigerian rapper Dremo that fuses punchy hip-hop cadences with Afrobeat-tinged percussion.

The beat drops with heavy drums and crisp hi-hats, while a memorable hook glides over the groove. Dremo's flow is confident and bar-heavy, pairing clever wordplay with streetwise swagger that keeps listeners locked in from verse to chorus.

<ul>
 <li>Production: hard-hitting drums, layered synths, call-and-response shouts that amplify the energy</li>
 <li>Vibe: club-ready, high-velocity momentum with a gritty, urban edge</li>
 <li>Lyrical theme: resilience and defiance in the face of critics, celebrating hustle and self-belief</li>
 <li>Performance: precise articulation, punchy delivery, and dynamic tempo shifts that punctuate the verses</li>
</ul>

In context, the track sits at the crossroads of contemporary Nigerian rap and Afro-pop, designed to energize a crowd in clubs, radios, and streaming playlists alike.

Best Of Asake

Best Of Asake by DJ Whizzylee is a concise, music-forward collection that captures the energy and melody of contemporary Afrobeats. This short-length mix blends Asake's chart-toppers with DJ Whizzylee's club-ready storytelling, delivering a tight listening experience that works on the dancefloor and in casual play alike.

From punchy drums to soulful hooks, the set emphasizes clean production, crisp transitions, and a dynamic pace that invites movement. It's designed to feel like a late-night radio session blended with a live-set energy—bright, infectious, and relentlessly catchy.

<ul>
 <li>Seamless tempo shifts and smooth crossfades that maintain momentum</li>
 <li>Iconic Asake vocals paired with fresh, polished beats</li>
 <li>A balance of hits and standout tracks for a compact, satisfying arc</li>
 <li>High-energy moments for the dance floor and more relaxed sections for downtime</li>
 <li>Accessible, radio-friendly sound with authentic Afrobeat character</li>
</ul>

Whether you're streaming, hosting a party, or crafting a quick vibe, Best Of Asake by DJ Whizzylee offers a concise, addictive slice of modern Afrobeats.

WORSHIP

WORSHIP is a cross-continental music collaboration that fuses contemporary Afrobeat vibes with high-energy electronic dance production. Asake’s melodic rap and DJ Snake’s club-ready sound design merge to create a track that feels both rooted and globally expansive.

In context, the song sits at the intersection of Nigerian street-pop and international EDM, exemplifying a current trend where dancefloor-oriented producers collaborate with Afrobeats storytellers to reach wider audiences.

<ul>
 <li>Genre fusion: An Afrobeat-driven tempo laid over electronic synths, punchy bass, and prominent drops.</li>
 <li>Rhythm: Tight percussion, claps, and call-and-response vocal lines that invite participation and movement.</li>
 <li>Production texture: Glossy synth stabs, airy pads, and layered vocal ad-libs that give the track a club-facing sheen.</li>
 <li>Vocal dynamics: Asake’s smooth, rhythmic delivery contrasts with DJ Snake’s sharper, stadium-ready energy, creating a dynamic dialogue.</li>
 <li>Mood and theme: A celebratory, devotional mood that invites listeners to bounce, celebrate success, and feel uplifted on the dancefloor.</li>
 <li>Cultural impact: Demonstrates how Afrobeat star power can travel through global pop machinery, fueling cross-cultural collaborations and streaming momentum.</li>
</ul>

Overall, WORSHIP stands as a compact, festival-friendly anthem that embodies contemporary global pop: rooted in Africa, polished for international clubs, and designed to ignite crowds across continents.

Falz - Omoge

Omoge by Falz is a vibrant, radio-ready track that blends contemporary Afrobeat with Falz's signature storytelling and witty wordplay. The song rides a buoyant groove, crisp percussion, and a catchy hook, inviting listeners to bob along while Falz delivers sharp social observations in Yoruba-inflected, playful lyrics.

<ul>
 <li>Genre and feel: Afrobeat with hip-hop-inflected cadence; dance-floor ready.</li>
 <li>Lyrical style: witty, storytelling-focused verses with clever puns and social commentary.</li>
 <li>Themes: romance, city life, fashion, and everyday Lagos experiences.</li>
 <li>Production: tight drums, bright melodies, and a memorable chorus that sticks.</li>
 <li>Audience: broad appeal for pop, hip-hop, and Afrobeat fans; strong radio and club potential.</li>
</ul>

Overall, Omoge captures Falz's knack for marrying infectious melodies with incisive narration, making it a standout entry in his catalog.